The Great ReWrite

As promised, let’s talk about the book, huh?

So when I wrote the first book, the one I am now querying, I hadn’t really planned anything for it. I had an idea, I wrote it, and that was that.

Except that there were just a few too many loose threads for me, you know? I had introduced several things that didn’t get satisfying resolutions, and I wanted to follow up on them.

So instead of writing a direct sequel, I took a side character who was in one chapter, and I wrote her story. Also a romance, but it introduced a lot more about the world, the magic, the hows of things, not just the whats. And when I got to the epilogue, I wrote in a hook that leads to the same place as the epilogue in the first book.

But I wasn’t ready to write that story yet, I needed to fill in some gaps, which meant a third book, to connect the dots from “I need a favor.” to “How do you feel about regicide?” so I snagged another minor character from book one, and wrote book three. Also a romance. It fleshed out the overarching conflict, the thing in the background of the first two books that was the root cause of the things that were happening.

These books are all a continuous story, but it’s happening in different places, and follows different characters. Book four brings them all together in one place.

Now, I wanted book four to be a romance, too, which meant centering one relationship. And I happily wrote the first 48k words, having a grand old time, and then I came to a chapter that was POV one of the main characters and I just wilted, because I had decentered that relationship from about chapter 3 onward.

Writing the characters from the previous books was like wearing comfy shoes and the new shoes are nice, and I love them, but man, once those boots are properly broken in, it sure is hard to justify wearing anything else, you know?

So I wasn’t writing a romance anymore, and I wanted to be.

And that meant that I had to go back from the beginning, and look at every chapter and see if I could rewrite it from the perspective of one of the mains. The main doc gained 4k words. My scraps doc now sits at 12k.

It sucked. There’s a lot in the scraps doc that I’m very proud of. Some of it has made its way back into the main doc in one form or another, but most of it is tucked away like a backstory. And that’s fine. The main conflict is between these two idiots, so what the rest of the cast is doing in the background can be implied, for the most part. I’ve kept POV chapters from the mains of the previous books where either 1) the events were too plot-crucial to leave out and neither of the mains were present, or 2) the POV character’s perspective is adding to the interpersonal conflict between the mains.

Of course, I’ve complicated this by needing to resolve the dangling conflict between each of the first three couples, and I’d really like it to end up shorter than 100k. There are other things I can do in this world, but this story needs to be done.

Mostly because I’m super duper over it.

Don’t get me wrong, I love all of my babies, and I want them to be happy (and they will be! Looking at YOU, S&S!), but I’ve got a gaslamp fantasy slow-burn romance about justice and revenge lurking just around the corner and I want to get to it.

A recent writing

Katie smiled almost fondly at the memory. “It was scary shit. You know, you can’t put an IV in shifters unless you also dose us with silver or aconite, and those aren’t long term solutions because of the toxicity, which meant that we were dosing her on the half hour to keep things level, and even then, the first few times she woke up already on fire.”

Next time, I’ll tell you about my attempts to make friends with the local corvid population.

Do good, friends.